Lots of new pics in the gallery from the photocall and press conference for Hacksaw Ridge at the Biennale in Venice today!
Check out the campaign page crowdfunding for the restoration of Proof. The National Film and Sound Archive of Australia has an exciting new program to digitally restore and preserve classic and cult Australian films, so they can be seen in today’s digital cinemas. It’s called NFSA Restores, and we’ve already worked on a number of […]
HUGO Weaving has taken top billing on the all-star Australian call sheet for a new six-part ABC drama series, Seven Types Of Ambiguity. The literary adaptation of Elliot Perlman’s extraordinary novel by the same name, the psychological mystery will follow seven characters and the risks they take for love. The thriller, which has begun filming […]
The 2015 Film Critics Circle of Australia Award nominations have been announced and Hugo is nominated for best supporting actor for both Strangerland and The Dressmaker! The Dressmaker has a further 9 (!) nominations and Nicole Kidman is nominated for best actress for Strangerland. Check out all the nominations here!
Congratulations to Hugo on his 5th AFI/AACTA award, this time for best supporting actor, and to the whole cast & crew of The Dressmaker! The movie received the People’s Choice Award, Kate Winslet best actress and Judy Davis best supporting actress. Here’s a few pics to wet your appetite, there’s more on twitter and I’ll […]
The Australian Michael Bodey December 1, 2015 George Miller’s Mad Max: Fury Road is favourite to be named best Australian film of the year after winning six AACTA Awards at the first instalment of the 2015 presentation. The visually spectacular blockbuster dominated the industry dinner for technical and craft awards ahead of the main Australian […]
SMH Garry Maddox November 29, 2015 Margot Wilson is the dressmaker behind The Dressmaker. She designed the striking outfits for Kate Winslet’s internationally successful designer who returns home to settle some scores in the hit film, set in rural Australia in the 1950s. What interested Wilson when she read the script was simple: the clothes. […]